Film Industry

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Cinema Sound Is Set To Movie Warp Speed Into A New Age Thanks To New Techniques. Sound In Cinema Screen One Was Built For An Immersive Sound Experience. It’s designedlike a Crisp Cathedral and the Sound Bounces around You with Synchronicity and Thunder. The Actors’ Voices Are Like Gods Talking From A Higher Plain Of Existence. Sound Effects Aid In Making The Movie Experience Feel Like A Three Dimensional One. Instead Of Just Flat Images On Screen Present Existing Audio Technology Formats For Film Industry Is Having So Many Errors AndDisadvantages Like Blank Spaces With Screen Synchronization Also. But By Using 3D DSRS 5.1 Audio(Three Dimensional Digital 5.1 Surround Sound) 4 Layer 3D Audio Mixing Technology &It’s Format Of Film Industry. Which Gives New Dimension Of Sound And It’s Splitting Effects Listening Angle Coverage Of 360 Degrees Naturally And Eliminating The ErrorsBy Recognizing The Hidden Information Of Composition And Bringing Then Natural Placement For Superb Listening Experiences Without Any Disturbing The Original Track Audio. Our Sound Technology For Film Industry Is Suitable For All Kinds Of Movies &Creating New Listening Areas Sidewise &Above &Below Natural By Eliminating The Screen Blank Areas Naturally Creating The Virtual Effects Of Sound Wherever Is Necessary With The Visualization. Our New Patent Filed 3D DSRS 5.1 Audio Technology Gives Totally New Dimension Of Sound Technology Revolution To Film Industry To Next Level.3D DSRS 5.1 Audio Recording For The Movies :By Using The 3D DSRS 5.1 Audio (4 Layer 3D Audio Mixing) We Create – (Left, Center, Right, Surround Right, Surround Left & LFE)By Mixing These 3D AudioTechnology Of Recordings For The Movies (Film Industry Applications) We Create 3D DSRS 5.1 Surround Sound& Which Can Be Incorporated In TheatreWithout Modifying  The Existing AudioSystem Arrangement In The Theatres. The Audio Signal Of 3D Sound Includes The Audio Channels Of Main LEFT/RIGHT/CENTER/LFE/ & Surround LEFT/RIGHT.

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Dolby Digital Is The Name For Audio Compression Technologies Developed By Dolby Laboratories. It Was Originally Named Dolby Stereo Digital Until 1994. Except For Dolby True HD, The Audio Compression Is Lossy. The First Use Of Dolby Digital Was To Provide Digital Sound In Cinema 35mm Film Prints. It Is New also Used For Application Such As HD TV Broadcast, DVD’s Blu-Ray Discs & Game Consoles. Dolby Digital Is The Common Version Containing Up To Six Discrete Channels Of Sound. The Most Elaborate Mode In Common Use Involves Six Channel For Normal Range Speakers (20Hz – 20,000Hz) – (Left, Center, Right, Surround Right, Surround Left )& One Channel (20Hz – 120Hz Allotted Audio) For The Subwoofer Driven Low-Frequency Effects. Mono Audio Stereo Modes Are Supported AC-3 Supports Audio Sample-Rates 48Khz. The Laserdisc Version Of Clear And Present Danger Featured The First Home Theatre Dolby Digital Mix In 1995.

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5.1 Surround Sound (Five Point One) Is The Common Name For Six Channel Surround Sound Audio Systems. 5.1 Is Most Commonly Used Home Cinema. It Uses Five Full Bandwidth Channels (Left, Center, Right, Right Surround, Left Surround) And One Low-Frequency Effects Channel (The Point One) Dolby Digital Dolby Pro Logic II DTS&SDDS Are All Common 5.1 Audio Is Also The Standard Surround Sound Audio Component Of Digital Broadcast And Music. All 5.1 Systems Use The Same Speakers Channels And Configuration. Having A Front LEFT &RIGHT A CENTER Channel. Two Surround LEFT / RIGHT CHANNELS And A Subwoofer, Regarding Music. The Main Goal Of 5.1 Surround Sound Is A Proper Localization And Equability Of All Acoustic Sources For A Centered Positioned Audience. Therefore Ideally Five Matched Speakers Should Be Used. For Play-Back Of  5.1 Music Recommendation Of The International Telecommunication Union (ITU) Have Been Released And Propose The Following Configuration (ITU-R BS 775).

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Dolby Digital And DTS – With The Birth Of Dolby Surround In Movie Theatres, It Was Only A Matter Of Time Before We The Consumers Would Reap The Benefits Of This Trickle Down Technology Into The Consumer A/V Marketplace. However, This Would Soon Not Be Enough For A Society That Thrives On The “Bigger And Better” Mentality. We Wanted More. Enter Dolby’s Newest Creation, Dolby Digital (DD). For The First Time, A Fully Discrete Digital 5.1 Channel Surround Format Was Created For Both The Theatres And Home Audio Marketplace. When The Consumer-Electronics Industry DVD Working Group (DVDWG) Sought The Best Audio Coding Technology For The New Format Back In 1995, Dolby Labs Jumped At The Opportunity. Dolby Argued That Its Name Recognition, Familiarity With The Movie Industry, And The Choice Of Its System For Audio Coding In The New DTV Standard Made It A Logical Choice For DVD As Well. The DVDWG Agreed, And DD Was Selected As 1 Of 2 Required Soundtracks, The Other Being PCM, On All DVD Releases In The USA. The DVDWG Also Allowed For DTS And SDDS As Optional Soundtracks. A Year After This Occurrence, Digital Theatre Systems (DTS) Joined The Soiree Claiming Its Coding Method Sounded Better Due To Higher Bit Rates And Less Compression. The DVDWG Mandated That Any DVD Carrying A DTS Soundtrack Must Also Contain One Of Two Of The Previously Mentioned Required Soundtracks.Today, When We Talk About Surround,What We Usually Mean Is 5.1 (‘Five-Point-One’ Or Often Just ‘Five-One’). A 5.1 System Comprises Five Full-Bandwidth Discrete Main Audio Channels (Hence The ‘5’) Plus A Restricted-Bandwidth Sub-Bass Signal (The ‘.1’) Called The LFE Channel (LFE Stands For Low Frequency Effects). Again, We Have Left, Right And Centre Speakers At The Front And Two Speakers At The Rear, But This Time The Rear Speakers (SL And SR) Carry Separate Full-Range Signals That Can Be Used In Any Way The Mix Engineer Sees Fit. What This Means Is That Sounds Can Be Positioned Much More Accurately In The Surround Environment.

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Screen Sound : Shows All 5.1 Ch Audio System Use The Same Speakers Channels & Configuration Having With Main LEFT / RIGHT/ CENTER &LFE (Subwoofer).

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Theatre Hall : Theatre Hall Speakers Arrangement Of Surround LEFT &RIGHT.

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Surround Sounds Is The Most Common Format. It Includes A Total Of Six Channels – Five Full-Bandwidth Channels With 3-20,000 Hz Frequency Range For Front Left And Right, Centre, And Left And Right Surrounds, Plus One “Low Frequency Effects” (LFE) Subwoofer Channel For Frequencies From 3-120 Hz. Dolby Laboratories And Dts Developed Dolby Digital Plus And DTS-HD (High Resolution), Respectively. These Formats Deliver 7.1 Independent Channels Of Sound. They Provide More Detailed Surround Effects Than 5.1 Dolby Digital And DTS, Though They Aren’t Lossless Like Dolby True HD And DTS-HD Master Audio.Like Dolby Digital, Provides 5.1 Channels Of Digital Audio. However, DTS Uses Less Compression Than Dolby Digital. As A Result, Some Say That The Sound Produced By DTS Is Slightly More Accurate Than The Sound Produced By Dolby Digital. While Most Audio/Video Receivers Will Have Both Dolby Digital And DTS, Fewer Discs And Video Games Are Encoded With DTS, Compared To The Number Encoded With Dolby Digital.Blue-ray Players Support 7.1 Audio Formats And High-quality, Lossless Surround Sound. While Your High-Def Disc Player And Receiver May Be Able To Decode These New Surround Sound Formats, Not All Discs You Play Will Take Advantage Of Them. Be Sure To Check Out The Details On The Blue-Ray Discs You Watch To See Which Audio Format They Use. In Our New Sound Technology Audio Formats Can Be Incorporated To These DVD-9 & Blue Ray Discs Also Dolby Digital 5.1 Ch HD Audio Specially With Our Technology Format Of 3D Sound As Well As 7.1 Ch Of Recording Also. By Using Our Technology Format OfDolby Digital 5.1 Audio Recording(7.1 Ch Audio Mixing) Which Gives The Main Advantage Is Eliminates the Errors Blank Areas & Creating New Angles of Splitting Effects With Centre By Creating the Virtual Mid Left &Virtual Mid Right Centre As Well As By Creating Virtual Top Surround Left / Right Effects Giving The Listener Superb Natural Visualization Of Sound Experience.

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Screen Sound :After Our Dolby Digital 5.1 Audio (7.1Ch Audio Mixing)Shows All 5.1 Audio System Use The Same Speakers & Configuration Having Main LEFT / RIGHT / CENTER Speakers Surround LEFT / RIGHT Speakers & LFE (Subwoofer).It Creates Virtual Sound Of  Screen Top Mid LEFT/ RIGHT.& Bottom Mid LEFT / RIGHT.

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Theatre Hall :Surround Sound Theatre Hall – Surround LEFT / RIGHT Speaker. In Theatre Hall It Creates Virtual Sound Of Top Surround Sound .At Top Of Theatre Hall Without Any Speakers.By This Listener Will Fell That The Sound Are Been Rotating Around Him / Her.

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The Subconscious Mind Is Highly Sensitive To Sound Origins And Character. So, We Expect A High Degree Of Auditory Coherence Between Sounds In Order To Register Them As Genuine. Since We Instinctively Sense When Sound Information Is Inauthentic, Recorded Audio Only Sounds ‘Life-Like’ To The Human Ear When It Maintains A Full, Natural Consistency. True Immersion Is Achieved When Audiences Are Offered Nothing Less Than A Natural Auditory Spread. 3D DSRS5.1 Ch– (Three Dimensional Digital 5.1 Surround Sound) 4 Layer 3D Audio Mixing Recording Features The Critical Component In The Accurate Playback Of Native 3D Audio Content – Height – By Using A Speaker Layout That Constructs Three Vertical Virtual Layers &Three Horizontal Virtual Layers Around The Listener. This Advanced Configuration Is Capable Of Reproducing Highly Accurate, Native 3D Audio For A Superior Immersive Experience. Height Layer (30° Above The Lower Layer): The Most Important Layer In The Creation Of Immersive Sound Around The Listener. The Capturing Of Ambient Reflections In This Layer Allows To Deliver A More Natural Sound &Improve Sound Source Localization. Multitrack Recording Is a Process Where the Tape Is Divided into Multiple Audio Tracks Parallel with Each Other. Because They Are Carried On The Same Medium, The Tracks Stay In Perfect Synchronisation. Multitrack Recording – Also Known As Multitracking, Double Tracking, Or Tracking—Is A Method Of Sound Recording That Allows For The Separate Recording Of Multiple Sound Sources To Create A Cohesive Whole. Multitracking Became Possible With The Idea Of Simultaneously Recording Different Audio Channels To Separate Discrete “Tracks” On The Same Tape – A “Track” Was Simply A Different Channel Recorded To Its Own Discrete Area On Tape Whereby Their Relative Sequence Of Recorded Events Would Be Preserved, And Playback Would Be Simultaneous Or Synchronized. Which Gives New Dimension Of Sound And Its Splitting Effects And Listening Angle Coverage Of 360 Degrees Naturally And Eliminating The Errors By Recognizing The Hidden Information Of Composition And Bringing Them Natural Placement For Superb Listening Experiences Without Any Disturbing The Original Track Of Audio. Our Sound Technology For Film Industry Is Naturally Suitable For All Kinds Of Movies &Creating New Listening Areas Sidewise &Above &Below Naturally By Eliminating The Screen Blank Areas And Filling The Areas Naturally Creating The Virtual Effects Of Sound Wherever It Is Necessary With The Visualization. Our New Patent Filed Sound Technology Gives Totally New Dimension Of  Sound Technology Revolution To Film Industry Entertainment To Next

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Screen Sound :

After Our Sound Technology 3D DSRS 5.1 Audio (4 Layer 3D Audio Mixing) To Dolby Digital 5.1 Audio Tracks Shows All 5.1 Audio System Use The Same Speakers &Configuration Having Main LEFT / RIGHT / CENTERSpeakers Surround LEFT / RIGHT Speakers &LFE (Subwoofer). It Creates Virtual Surround Sound Effects Of Top Left Corner At The Top Main LEFT Virtual Sound&Top Right Corner At The Top Main RIGHT Virtual Sound . It Creates Virtual Surround Sound Effects Of  Top Mid Left In Between CENTER &LEFT Virtual Sound&Top Mid Right  In Between CENTER &RIGHT Virtual Sound. It Creates Virtual Surround Sound Effects Of  Bottom Mid Left In Between CENTER &LEFT Virtual Sound&Mid Right In Between CENTER &RIGHT Virtual Sound.

It Creates Virtual Surround Sound Effects Of  Bottom Left Corner At The Bottom Of Main LEFT Virtual Sound&Bottom Of Right Corner At Bottom Main Right Virtual Sound.

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Theatre Hall :

Surround Sound Theatre Hall – Surround LEFT / RIGHT Speaker In Theatre Hall It Creates Virtual Surround Sound Effects Of Top Surround Center Mid LEFT / RIGHTAt Top Of Theatre Hall Without Any Speakers. In Theatre Hall It Creates Virtual Surround Sound Effects Of Back Surround LEFT / RIGHT &CENTERAt Top Of Theatre Hall Without Any Speakers. By This Listener Will Fell That The Sound Are Been Rotating Around Him / Her.

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3D DSRS 5.1 Audio Recording Technology – For The MoviesBy Using The 3D DSRS 5.1 Audio (4 Layer 3D Audio Mixing)  We Create – (Left, Center, Right, Surround Right, Surround Left & LFE) By Mixing These 3D Audio Technology Of Recordings For The Movies (Film Industry Applications) We Create 3D DSRS 5.1 Surround Sound & Which Can Be Incorporated In Theatre Without Modifying The Existing Audio System Arrangement In The Theatres. The Audio Signal Of 3D Sound Includes The Audio Channels Of  Main LEFT / RIGHT / CENTER / LFE / & Surround LEFT / RIGHT.

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Dolby Digital 5.1 Ch Pre-signal Input-Dolby 7.1 Ch – Left, Right, Centre, Sub & Surround Left & Right & Back Surround & Top Surround Output Of Conversion & Pre-signal. Dolby Atmos&Auro 3D &Auro 3D 11.1 Ch Audio Pre-signal Input –Output Will Be 22.1 Ch Out Put Of Pre-signal Conversion. Dolby Digital Is The Common Version Containing Up To Six Discrete Channels Of Sound. The Most Elaborate Mode In Common Use Involves Five Channels For Normal-range Speakers (20 Hz – 20,000 Hz) (Right, Centre, Left, Right Surround, Left Surround) And One Channel (20 Hz – 120 Hz Allotted Audio) For The Subwoofer Driven Low Frequency Effects. Mono And Stereo Modes Are Also Supported. AC-3 Supports Audio Sample-rates Up To 48 Khz. 5.1 Surround Sounds Is The Most Common Format. It Includes A Total Of Six Channels – Five Full-bandwidth Channels With 3-20,000 Hz Frequency Range For Front Left And Right, Centre, And Left And Right Surrounds, Plus One “Low Frequency Effects” (LFE) Subwoofer Channel For Frequencies From 3-120 Hz.Dolby Laboratories Developed Dolby Digital Plus And Dts-HD (High Resolution), Respectively. These Formats Deliver 7.1 Independent Channels Of Sound. They Provide More Detailed Surround Effects Than 5.1 Dolby Digital And DTS, Though They Aren’t Lossless Like Dolby True HD And DTS-HD Master Audio.

Like Dolby Digital, DTS  Provides 5.1 Channels Of Digital Audio. However, DTS Uses Less Compression Than Dolby Digital. As A Result, Some Say That The Sound Produced By DTS Is Slightly More Accurate Than The Sound Produced By Dolby Digital. While Most Film Industry  Receivers Will Have Both Dolby Digital And DTS, Compared To The Number Encoded With Dolby Digital.Cinema Sound Technology Support 7.1 Audio Formats And High-Quality, Lossless Surround Sound. While Your High-Def Cinema Sound And Receiver May Be Able To Decode These New Surround Sound Formats, Not All Formats You Watch Will Take Advantage Of Them. Be Sure To Check Out The Details On The Cinemas You Watch To See Which Audio Format They Use. In Our New Sound Technology Audio Formats Can Be Incorporated To These Cinema Receivers Also Dolby Digital 5.1 Ch HD Audio Specially With Our Technology Format Of 3D DSRS  Sound As Well As 7.1 Ch Of Recording Also.

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Transports You Into The Story With Moving Audio That Flows All Around You With Breath-taking Realism. Dolby Atmos Creates Powerful, Moving Audio By Introducing Two Important Concepts To Cinema Sound: Audio Objects And Overhead Speakers. Together, These Completely Change How Soundtracks Are Created And Heard. Traditional Surround Soundtracks Confine All Sounds To A Small Set Of Channels That Can Deliver Sound To You From Only A Few Perceived Angles. They Cannot Put Sound Above You. Further, Sounds Exist Only As Part Of A Channel Mix. If One Sound Is Emphasized In A Traditional Mix, Another Must Be Diminished. In Dolby Atmos, By Contrast, Sound Can Be Freed From Channels. It Enables Artists To Treat Specific Sounds As Individual Entities, Called Audio Objects. These Can Be Precisely Placed And Moved By The Soundtrack Creator Anywhere In The Cinema’s Three-Dimensional Space—They Are Not Confined To Specific Channels – Though The Artist Can Continue To Use Channel Capabilities As Desired. The Dolby Atmos Cinema Processor Then Determines Which Of A Cinema’s Huge Array Of Front, Back, Side, And Overhead Speakers It Will Use To Recreate This Lifelike Movement. As A Result, A Dolby Atmos Soundtrack Brings Alive The Onscreen Story As Never Before Possible. The Movie’s Sounds Flow All Around You To Completely Immerse You In The Action, Heightening The Impact Of The Story And Creating A Powerfully Moving Cinema Experience.

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Is The Premiere 3D Audio Format For Cinema. Together With Barco, Auro-3D Delivers The Next Level Of Cinematic Immersion. Auro 11.1 Will Truly Transform The Way You Experience A Movie In A Cinema Theatre. As Auro 11.1 Offers The Most Realistic And Natural Cinema Audio Experience, You Will Feel The Action On The Big Screen Like Never Before And You’ll Get Fully Caught Up In The Movie Adventure. Auro 11.1 Is One Of The Cinematic Speaker Layouts Of The Auro-3d Format. A Global Visualization Technology And Digital Cinema Projection Company. The Sample Speaker Layout At The Top Of This Article Shows A Total Of 11 Speakers Plus A Single Subwoofer, But Depending On The Room And Desired Surround Sound Performance, You Can Add Quite A Few More Speakers To This Example, And The Intelligent Dolby Atmos Sound Processor Will Use Each Additional Speaker To Steer The Sound Around The Room More Accurately. A Well-Designed Speaker Configuration Will Support A Virtually Unlimited Position Of Sound Objects In 3D Space, Greatly Enhancing The Audience Experience. The Difference Is Immediately Noticeable; This Is Not A Gimmick! Auro 11.1 Offers A Natural Immersive Movie Experience – Immersive Sound That Is Truly Enveloping Without Being Distracting – Its Three Layers Of Sound Simulate The Most Natural 3D Acoustics – Feel The Action On Screen Like Never Before – You’ve Never Experienced Sound So Realistic.

It Is Designed Along Three Layers Of Sound (Surround, Height And Overhead Ceiling), Building On The Single Horizontal Layer Used In The 5.1 Sound Format. Auro-3d Creates A Spatial Sound Field By Adding A Height Layer Around The Audience On Top Of The Traditional 2D Surround Sound System. This Additional Layer Reveals Both Localized Sounds And Height Reflections Complementing The Sounds That Exist In The Lower Surround Layer. The Height Information That Is Captured During Recording Is Mixed Into A Standard 5.1 Surround PCM Carrier, And During Playback The Auro-3d Decoder Extracts The Originally Recorded Height Channels From This Stream. The Auro-3d Technology Consists Of The Auro-3d Engine And A Creative Tool Suite. The Engine Comprises The Auro-Codec And The Aromatic Up Mixing Algorithm To Convert Legacy Content Into The Auro-3d Format. The Creative Tool Suite Is A Set Of Plugins That Can Be Used To Create Native Immersive 3D Audio Content. Auro-3D Is Fully Compatible With All Existing Production Processes And Theatre Systems, And The Format Also Offers A Host Of Compatibility Features Such As Single Inventory Distribution (Multiple Formats Are Combined In One PCM Carrier) And Full DCI Compliancy.

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